Title: The Social Network
Year: 2010
Starring: Jesse Eisenberg
Justin Timberlake : Sean Parker
Rashida Jones : Marylin Delpy
Joseph Mazzello : Dustin Moskovitz
Max Minghella : Martin Turner
Rooney Mara : Erica Albright
The success of this film as a set of narrative coherence, fidelity to the story and characterization has been a good bet. I think that approach a story of corporate intrigue, legal actions and college sex with the look of the camera is not small task, especially when the whole is tedious and not very cohesive, despite the endless waterfall of words and concepts proposed. Winning more or less know it all: a young and brilliant Nerd's hand the invention of the century, his friends backed the cock but when the going gets tough emotional involvement, the admiration for his alter ego and the longing for his estimate does not play a joke too cute to our friend Mark Zuckerberg. The Facebook founder puts his best friend, co-founder Eduardo Saverin, in the hands of sharks, and ignores all moral and legal implications in all his behavior. Mark painted the character of the film is that of a paranoid teenager, his tongue ready to lash out at anyone, but with some serious behavioral limits and very fragile, where his brilliant nerd and want to be found the consent of those who think his peers.
The story of the SNS (Social Network Site) is most famous movement is reinterpreted through the two cases suffered from Zuckerberg, but not a film about lawyers in his career, winning speeches and legal loopholes, it is not even a film about industrial espionage, or revenge, what the director wants to leak is very ill, first for economic loss (case brought by the twins Winklevoss) and the other for the loss of personal interest, respect and trust (case filed by Eduardo Saverin ). The result is a lonely boy, who was defeated by himself and his disinterest in the world around him, able to understand how "working" people, but not understanding the fundamental reasons, the human dimension more complex architecture.
This is clear from the introduction of the game Win-Win facemash.com (compare the "ficaggine" girls, not giving a score but choosing between two random photos), from the addition of "emotional state", and the relationship with Sean Parker, founder of Napster and bad advice.
The film is tasty and light, despite the many dialogues and the complexity of issues, faced with the decision and the scientific method, balancing personal emotions emotional impact "global" contextualizing the perfect technology and its headlong rush.
cinematically a very positive note: the sequence of the brothers' boat race Winkelvoss. The paddle strokes, the music, the river, the perfect deadlift a meticulous and skilful direction. Well done
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